Two men test the thought [of men] that women exaggerate during childbirth, by going through a Labor Pain Simulation while their wives watch and give support.
I tried not to reblog this…oh did I try.
This is too funny not to reblog
This is the best thing.
“How many times have you saved me, Clara. Just this once, just for the hell of it let me save you.”
Wings
Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.
“It’s something that’s running through the series. Instead of it being like, ‘Does so-and-so like Clara?’, the Tardis and Clara have a bit of a face-off.” — Jenna-Louise Coleman
It’s hard to leave when you haven’t said Goodbye.
*edited because one was repeated.
